Jan 06 Written by 

Pumping Up Prose Style

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At the last prose reading I attended, each piece was competently written in a funereal monotone that never varied or picked up its pace. Not a simile or metaphor anywhere; no sensations were described except those that came through eyes and ears; vast on talk and low on action. Very low-risk writing and deadly dull, like an electronic hum. And it was all very serious, so I know it was intended to be literary art.

Completely sterilized flatline prose, "strike out all the adjectives" prose, Ray Carver prose without Carver's timing or delicacy -- is too common. It seems to me as if the "personal style" we writers are all supposed to develop on our own won't happen anymore unless we are taught or encouraged to write memorable as well as competent prose. I wanted to say, "Hey, creative people,
  • try making up a simile to describe that "indescribable" thing!
  • Get your characters up from their tables and moving!
  • You don't have to give us every sniffle of every conversation! Paraphrase the dull stuff!
  • The other three of the five senses aren't illegal!
  • Convey a range of emotion!
  • Put in a subplot so we have two things to care about!
  • Lighten up just once, even if it's just the briefest mention of the bizarre or amusing!"
5491 Last modified on Thursday, 17 January 2013
Catherine Rankovic

Writer, with 30+ years' writing and publishing experience, 20+ years' teaching experience. Last book read: Mrs. Lincoln by Catherine Clinton.